Fan Art Illegal?! Things to Consider When You Make Fan Art

August 02, 2018 in Artistic Inspiration

There's a range of opinions on whether artists should create fan art and the ethics of doing so. One might make fan art as a genuine expression of their fandom, as an opportunity to gain exposure for their art, to make money, or some mixture of all three motivations. I'm not looking to judge someone's choice in creating fan art, but from a strictly creative business stand-point, if you're making the majority of your sell-able artwork around intellectual properties that you don't own, this seems like tenuous footing for an artist to be in. Selling fan art's illegal and this isn't just some opinion I happen to hold, this is straight from the mouth of contract and intellectual property attorney acquaintance, Seth Polansky.

Watch Fan Art Illegal?! | Things to Consider When You Make Fan Art

Luckily few intellectual property holders crack-down on fan artists selling their work, but that's precisely the issue: if you make your living selling fan art based merchandise- you're relying on "luck" for your continued livelihood. I lurk an artist alley Facebook page and I've seen the occasional so-and-so animation studio's issuing take-down notices. And a take-down notice or a cease and desist form is a kind way for the copyright holders to go about it- who knows if we'll see an effort to slap-down this form of infringement in the same way that the music industry came down on some of those pirating music in the early to mid 2000's to the tune of hundreds of thousands of dollars.

EXCERPT ON FAN ART USAGE PER COPYRIGHT ATTORNEY SETH POLANSKY ON ONE FANTASTIC WEEK

With the risks that are stake, I simply couldn't see putting all of my eggs in the fan art basket. I may occasionally do a fan art piece if the mood strikes me, but I definitely intend to make that the exception rather than the rule. What's your opinion on fan art? Do these considerations make you any less likely to make it?

To be the first to know when I launch new polymer clay art videos, be sure to subscribe to my YouTube channel and hit the bell icon (but because YouTube's wonky, you can also join the newsletter). Catch all of my videos here: https://www.youtube.com/thedreamsyndicatearts. You can also find many of the supplies I use in crafting here: https://www.thedreamsyndarts.com/supplies-gear/. Thanks so much for joining me on this journey and until next time: Make. Believe!

Getting Ready to Show at My First Art Booth! | Art Star Craft Bazaar in Philadelphia, PA

July 28, 2018 in Artistic Inspiration

This Saturday I'm taking a leap that I've put off for some time in years past- I'm getting ready to show at my first art booth at the Art Star Craft Bazaar here in sunny, hot, humid Philadelphia! Art Star has been running successful arts and crafts shows for several years in the area and I feel like I'm in pretty good hands. This is a pop-up show, which means it's only one day for a few hours. The first date for it is Saturday, 7/28/18 from 12-5pm.

There's a few reasons I've put off boothing at art fairs, but I think one major one was not feeling like I'd ever had a large enough body of solid artworks to show. I don't feel like you can do this sort of a show without 10-12 images you feel strongly about. There's also a fair amount of start-up costs to running a booth- there's the cost of inventory (and the packaging of said inventory) and the display and booth decor items aren't particularly cheap if you don't happen to have what you need on-hand and want to have a certain level of professionalism to your presentation.

WATCH MY THOUGHTS ON GETTING READY TO SHOW AT MY FIRST ART BOOTH | ART STAR CRAFT BAZAAR IN PHILADELPHIA

Speaking of professional presentation, there's a few people I'd like to thank for inspiring me with best practices, either from watching their content or sending them the occasional frantic Facebook message. I've been following the independent genre artist podcast One Fantastic Week's YouTube content for a couple of years and I think there's few better resources for entrepreneurial artists and they've a great community of like-minded people. I also owe Pete Mohrbacher a beer for recommending El-Co Color Labs- they've produced some really fantastic prints of my art. Crystal Sully, creator of "Untamed Beastiary", was also super helpful in helping me track down a couple of vendors for booth supplies. Rather than have you track Crystal down, I'll list the vendors I've used for booth display.

Craft Show Vendors

Printing: http://www.elcocolor.net/
Banner: https://www.nextdaydisplay.com/product/fabric-wrinkle-free/
Print Bags, Cardboard Backing, & Shopping Bags: https://www.clearbags.com/

I'm doing four of these shows and I'll let you know how they ultimately went- fingers-crossed that it was worth it! To be the first to know when I launch new polymer clay art videos, be sure to subscribe to my YouTube channel and hit the bell icon (but because YouTube's wonky, you can also join the newsletter). Catch all of my videos here: https://www.youtube.com/thedreamsyndicatearts. You can also find many of the supplies I use in crafting here: https://www.thedreamsyndarts.com/supplies-gear/. Thanks so much for joining me on this journey and until next time: Make. Believe!

Greetings & Welcome to the Dream Syndicate Art Dolls

July 12, 2018 in Art Doll Making Videos

How rude of me- I've yet to properly introduce my YouTube channel. In this video, I do just that by giving folks a taste of what they can expect from The Dream Syndicate Art Dolls with this channel trailer.

WATCH WELCOME TO THE DREAM SYNDICATE ART DOLLS

Throughout my videos, I share the process I use in crafting fantasy art dolls, showing you how I sculpt, paint, build, and paint them. I also show how some of the props are made for a photo shoot and a glimpse of what the photography sets look like for my dimensional art doll illustrations. When I'm not creating videos about making art dolls, I make videos about the arts, whether it's culture or thoughts about what it's like to be a professional artist today.

Making Fun: The Story of Funko Pops on Netflix

June 21, 2018 in Artistic Inspiration

I recently treated myself to a couple of hours to check-out the latest toy-themed documentary, Making Fun: The Story of Funko Pops on Netflix (as I write this, I'm still making my way through season 2 of The Toys That Made Us). There's a couple of things I'll have to confess before I go any further into this post: 1. I'm not a vinyl toy collector. There are a few toys that I think have a fantastic design and certainly wouldn't mind owning, but I also aspire to a certain level of minimalism in my life (I'm not great at this mind you, hence it's being aspirational). 2. I'd always taken Funko as some sort of corporate juggernaut, but the company's origins were a lot more DIY than I would've guessed. It didn't take long into the toy documentary before I was happy for the success of Mike Becker, Funko's once Chairman of Fun, and the scrappy little art toy start-up he'd built, Funko.

Watch Making Fun: The Story of Funko Pops Here

I had such a good time watching this Funko toy documentary and wanted to share it with you in my Making Fun The Story of Funko Pops review on Netflix.

I found myself delighted by the delight and passion of Funko's fans, self-identified as Funatics, and in such trying times as we now exist in, basking in this global community's collective joy was a welcome breadth of fresh air. What I enjoyed about Mike Becker and later Brian Mariotti's running of Funko was that they approached their stewardship of the company largely as fans first, steering the company in directions that has consistently make their collectors thrilled with Funko.

While I'm not likely to rush-out and buy a mountain of Pop Vinyls anytime soon, I'm glad that they can make so many fandoms happy with their little beady-eyed, square headed art toys. The Netflix toy documentary had a couple of emotional moments, but it was a "feel-good" piece through-and-through. If you could two solid hours of joy and camaraderie and you might enjoy a toy documentary, I definitely recommend you give it a watch!

Should I Be a Specialist Artist? A Response to "Your Value in Art" by Bobby Chiu

June 07, 2018 in Artistic Inspiration

I came across a video by Bobby Chiu entitled "Your Value in Art" and my curiosity was piqued. Being the even-keel, zen-like soul that Bobby Chiu is, he didn't place a value judgement on whether one should be a generalist or a specialist artist, but (perhaps because I'm less even-keeled) I definitively believe that a long-term career favors the specialist artist.

Watch Your Value in Art by Bobby Chiu

Watch Should I Be a Specialist Artist Response Video

First, it would be helpful to establish a definition of both generalist and specialist artists. A generalist artist dabbles in any number of genres, styles, or niches of art making. A "jobbing artist" that goes from project-to-project, competing with several other well-qualified creatives to do so, perhaps a toy design one week, storyboards the next, and then a couple of weeks illustrating a book cover. A specialist artist narrows-in on one artistic field, medium, or overall aesthetic and produces work in that vein. The specialist artist is often brought into a project because they were one of a short-list of candidates who could properly envision the project, whether that's designing characters for film or television or creating work for print media.

While artists can make a living as a generalist, a generalist artist is a commodity, like a bottle of orange juice you'd buy at the local supermarket, easily replaced (and in the times we live in, easily outsourced if communication barriers are minimized). When their skill set is in alignment with what's desirable in the creative market place, a specialist artist is actively sought-out for the specific thing they do and therefore has a much easier time standing-out among a field of generalist artists.

If two artists were competing for the same job to design environmental concepts for a video game studio, who's most likely to get the job? The artist with the portfolio of character, vehicles, weapons, and environment concepts or the artist with the same number of pieces in their portfolio, but every single piece of the portfolio shows that they want to do the job their trying to get hired for, each piece shows a game environment concept? I don't know about you, but I'd say the smart money's on the second candidate, the specialist.

There's also the level of niche-ism that surrounds us today- an artist that may not have gained support through the conventional route of publishers can now go directly to the public if they're willing to become savvy marketers of their work. Services like Kickstarter, Patreon, YouTube, Instagram, and the like give artists a multitude of platforms to try and connect with an audience. Add to this that in most countries, there's fan conventions for any kind of niche you could imagine- everything from fantasy/sci-fi, to comic books, to My Little Pony, to... furries.

But isn't there a danger of being too specialized? Frankly, there's risk in any field one could choose to invest decades in that the market could shift and the only thing one can do is shift with it or perish. Commercial airbrush artists were in demand from the 60's through the 80's, but once the art market shifted, many of them either had to pivot their artistic skills to another medium or no longer work in the creative field.

For further fantastic visitations: