𝐑𝐄𝐃𝐂𝐀𝐏 | 𝐃𝐀𝐑𝐊 𝐅𝐀𝐄 𝐏𝐨𝐬𝐞𝐚𝐛𝐥𝐞 𝐄𝐯𝐢𝐥 𝐅𝐀𝐍𝐓𝐀𝐒𝐘 𝐀𝐫𝐭 𝐃𝐨𝐥𝐥 | 𝐓𝐢𝐦𝐞𝐥𝐚𝐩𝐬𝐞 𝐌𝐢𝐱𝐞𝐝-𝐌𝐞𝐝𝐢𝐚 𝐀𝐫𝐭 𝐃𝐨𝐥𝐥 𝐓𝐮𝐭𝐨𝐫𝐢𝐚𝐥

I recently spent some time documenting some terrible, malevolent, dark fae, the redcap. These nasty, blood-thirsty creatures make their homes in castle ruins or sites of gruesome battles and prey upon any who enter their domain. Redcaps are described as red-eyed old men with long, greasy beards, carrying pike staffs or scythes, and renown for wearing heavy iron shod boots and despite their ungainly footwear, move with preternatural speed. What really gives them their name are the red hats on their heads. The red is no mere ornamentation, it is actually soaked in blood and must remain so, for if a redcap’s hat ever runs dry of the crimson ichor, the creature will perish.

Watch me make the Redcap Art Doll here:

While the lore tends to describe the evil fae creatures as having a stout build, I tend to like spindly creatures. This poseable art doll was made in my typical mixed-mixed media style, beginning with sketches and ending with a finished dimensional-illustration. I made his fleshtone a sort of minty green hue because I thought it would coordinate well with the red cap on his head. One direction I decided to take on the design of this art doll was to make his hat resemble a mushroom- surprisingly, not many artists had made this character design decision. It made perfect sense to me, there are all manner of benevolent fae seen wearing mushroom hats and given that their are a good number of mushrooms that can seriously harm or kill a person and the redcap fae creature is menacing it’s self, it almost seemed like an obvious choice.

The art doll has a Sculpey polymer clay sculpted head, poseable wire armature body, fabric clothing, and his accessories are made from a variety of mediums. I particularly love some of the dingy little details of this malevolent creature like his spiked armguards and shoulder pad made from upcycled materials. His whole outfit was meant to have a rough-hewn, thrown together quality to it as if this creature doesn’t spend much thought to how he looks at any given time.

Sketching the design of the redcap art doll

The art doll has a Sculpey polymer clay sculpted head, poseable wire armature body, fabric clothing, and his accessories are made from a variety of mediums. I particularly love some of the dingy little details of this malevolent creature like his spiked armguards and shoulder pad made from upcycled materials. His whole outfit was meant to have a rough-hewn, thrown together quality to it as if this creature doesn’t spend much thought to how he looks at any given time.

Prints of the dimensional-illustrations made with the redcap art doll are available here:

Open Edition Prints

“Redcap’s Rage” https://www.inprnt.com/gallery/thedreamsyndicate/redcaps-rage-evil-fae-fantasy-art/

”Redcap’s Rest” https://www.inprnt.com/gallery/thedreamsyndicate/redcaps-rest-evil-fae-fantasy-illustration/

“Redcap’s Reaping” https://www.inprnt.com/gallery/thedreamsyndicate/redcaps-reaping-wicked-fae-fantasy-art/

Redcap's Rage

Redcap's Rest

Redcap's Reaping

Color studies for the various dimensional-illustrations made with the fae art doll.

Thanks for joining me so far and here’s to the adventures we have in future! To be the first to know when I launch new polymer clay art videos, be sure to subscribe to my YouTube channel and hit the bell icon. Catch all of my videos here: https://www.youtube.com/thedreamsyndicatearts. You can also find many of the supplies I use in crafting here: https://www.thedreamsyndarts.com/supplies-gear/. And sign-up for my newsletter (in the sidebar) to get the latest studio goings-on! Thanks so much for joining me on this journey and until next time: Make. Believe!

𝐃𝐈𝐘 𝐏𝐨𝐬𝐞𝐚𝐛𝐥𝐞 𝐅𝐚𝐮𝐱 𝐌𝐄𝐓𝐀𝐋 𝐓𝐮𝐭𝐨𝐫𝐢𝐚𝐥 | 𝐀𝐫𝐭 𝐃𝐨𝐥𝐥 𝐀𝐜𝐜𝐞𝐬𝐬𝐨𝐫𝐢𝐞𝐬

For my latest dimensional illustration, Lord Bledwall, I wanted his robe to have a poseable metal trim- it wasn’t utilized so much in this image I made with him, but if I decide to use him in future images, I’ve some variety of what I can do with the moveable faux metal piece. This technique can be used not just for metal clothing adornment for a variety of art doll accessories like fantastical weapons or maybe metallic tentacles. Making these DIY poseable faux metal elements only requires some basic supplies and tools as well as some handicraft skills. If you can measure and cut things, you can absolutely make these! You can find the necessary supplies, instructions, or even watch how they were made below.

Watch how they were made: DIY Poseable Faux Metal Tutorial | Art Doll Accessories

Click on any of the items below & you’ll be taken to a corresponding Amazon page, which helps support my art with no additional cost to you.

Faux Metal Making Supplies Needed:

• Aluminum Wire (18 gauge)

• Medical Paper Tape

• Foam Sheets

• Pliers & Wire Cutters

• Wax Carving Tools (similar to the set I use)

• Needle File Set

• X-Acto Knife & Blades

• Modge Podge

• Fabri-Tac

• Transparent Raw Umber Ink (you can use a variety of colors)

• Silver Acrylic Paint (or whatever size tube/color's appropriate for your project)

• Cutting Mat

• Transparent Ruler

• Metal Ruler

• Bristol Board, Heavy Weight Paper (optional)

Texturing tools.

We’ll start-off with a length of 18 gauge aluminum wire. I’m basing the length of the wire on about how long I think the art doll’s robe should be. We’ll twist it up with our pliers and depending on what you’re doing or if it’s visible, you might want to snip the uneven edge of the wire with your wire-cutters.

Once that’s done, we’ll roll out a length of medical paper tape. And cut it to size. I like to cut it so it's about as wide as 3-4 times the thickness and about as long as the wire. We’re going to wrap the paper tape around lengthwise… this part’s tricky because the paper tape wants to snag on itself (a little bit of this is OK though!). You want to make sure it’s wrapped around snug to the wire. We’ll wrap the wire two, maybe three times if desired.

Then we’ll soak both ends of it in some water for a little while- anywhere from 10 minutes to an hour on either side to get the paper tape thoroughly saturated. Next we’ll spread some heavily Mod Podge diluted with water across it. I’ll do a couple more layers, letting the piece dry in-between, where I add in more and more silver acrylic paint and progressively less water with each subsequent layer. What that’s doing is seeping the pigment into the paper fibers of the tape. This is a similar method to how I go about creating my poseable art doll hands.

We’ll measure a thin strip of the a foam sheet, which is going to give us the segments of this sort of spinal shape that I’m making for this poseable faux metal trim.  I like using foam because it’s flexible and you can easily texture and paint it. We’ll make a thin strip. And another little strip that will serve as a template for the other pieces we’ll cut. And we’ll just trace it all down the length of the foam strip. Then we’ll cut them out with our X-acto.

Here’s a quick note on failure: I’d tried using 2 part resin epoxy (another adhesive that I commonly use. Use with caution) and for whatever reason, it didn’t seem to hold. I’m not sure if I messed up the timing on the set time or what… it just wasn’t seeming to work at all. It might be that it wasn’t the right adhesive for the job.

We’ll use some of an old bottle of Fabri-Tac- this was made clear by the way I need to fish it out with a bit of scrap wire. I tried clothes pins to hold the foam pieces on as I went, but didn’t think they held it on snugly enough. I found a better solution by wrapping them with tiny scraps of wire that I had lying around. Being a bit of a pack-rat for the win!

Now we’re just going to take a sharpened pencil and use it to indent into the surface, score into it a bit with a pointy clay tool, and I also got some interesting textures from using needle files like one would use in jewelry making.

Then we’ll just go in with our silver acrylic paint onto the spinal form. One layer of metallic paint leaves a lot of the black of the foam showing through, which depending on what you’re doing, might be how you want it to look. I ended painting on three layers. You might consider using spray paint, but the propellant, what makes the paint shoot out of the can, tends to have a melting effect on a lot of foam-like surfaces. So that melting would either have to be a part of your design choice or you’d have to seal your foam in some way that also didn’t involve spraying the sealant on.

We’ll do an ink wash with this transparent raw umber. Unless I want a detail heavily accented, I tend to add a little water to the ink and even sometimes a tiny dab of dish soap. You can see how that ink wash is bringing up all the dents and scratches on the surface. After the ink’s been on the surface for a minute or two, we’ll wipe away the excess to make the details a little more subtle. We’ll repeat this process with each additional coating of ink. Since I liked the patina the ink was giving this, we’ll go ahead and do another wash. Each layer’s going to tint it just a bit darker. Another thing we can do is go back and put some ink inside some of the little holes and scratches to really bring them out. Here I’m using much more saturated ink and picking-out individual details.

Lord Bledwall sketch/color study

My sketch of Lord Bledwall had these blade bits sticking out the sides of the metal trim like a spinal column, I’d already gotten pretty far on this build (and should’ve put them in sooner).... so I was in a mental fight over risking messing up what I’d already done (and really liked) and also my laziness didn’t want to do anymore work… or I could make this a bit cooler by spending the time to add them on. It was a hard fought battle, but “making it cooler” won, so I cut bits of blade out of some Bristol board, sliced tiny grooves that I could put the narrower ends of the blades into, and used resin epoxy both inside the grooves, and thinly applied it to the narrow end of the blade form. Once the two part resin epoxy set, I then carefully painted and ink washed the blades.

As a warning: pretty much everything in creativity’s a conflict of “good enough” and saving some amount of hours of work versus “putting in a bit more effort and making the thing cooler”.

Sewing faux metal trim with coordinating thread.

Having made the thing sufficiently cooler, we’ll attach the metal trim by sewing it on with a gray thread that will sort of blend-in with the paint job we’ve done. We’ll sew in from the back, make a loop, tie off our thread a few times, cut it, and repeat that process up the length of the trim. Here you can see what it looks like once it’s all attached.

Lord Bledwall’s also has a faux metal texture bladed mantle that I’ll do a “making of” process blog and video similar to this one if you want to see how that was made. When it’s ready, you’ll be able to click here. If you use techniques you learned from any of my posts, I’d be happy to take a look. You can tag me on whatever social media platform you’re posting to. You can find my links below!

If you would like a print of Lord Bledwall, you can purchase it here.

PRINTS AVAILABLE

A print of the final dimensional illustration’s available through my print shop as an open edition.

Thanks for joining me so far and here’s to the adventures we have in future! To be the first to know when I launch new polymer clay art videos, be sure to subscribe to my YouTube channel and hit the bell icon. Catch all of my videos here: https://www.youtube.com/thedreamsyndicatearts.

You can also find many of the supplies I use in crafting here: https://www.thedreamsyndarts.com/supplies-gear/. And sign-up for my newsletter (in the sidebar) to get the latest studio goings-on! Thanks so much for joining me on this journey and until next time: Make. Believe!

𝐋𝐨𝐫𝐝 𝐁𝐥𝐞𝐝𝐰𝐚𝐥𝐥 𝐚 𝐏𝐨𝐬𝐞𝐚𝐛𝐥𝐞 𝐄𝐯𝐢𝐥 𝐖𝐢𝐳𝐚𝐫𝐝 𝐀𝐫𝐭 𝐃𝐨𝐥𝐥 | 𝐓𝐢𝐦𝐞𝐥𝐚𝐩𝐬𝐞 𝐌𝐢𝐱𝐞𝐝-𝐌𝐞𝐝𝐢𝐚 𝐀𝐫𝐭 𝐃𝐨𝐥𝐥 𝐓𝐮𝐭𝐨𝐫𝐢𝐚𝐥 →

Much like dharklings, I’ve made another more nefarious aspect of my world, Lord Bledwall (you can learn more about how he arrived at his powers further below). He’s one of my world’s Manifest, wizard caste beings who have power far above and beyond what most inhabitants of The Dream Syndicate possess. He’s an evil wizard figure who has the ability to manipulate these bladed, vine-like growths that accompany him, known as The Bleedwall. The mixed-media poseable art doll’s meant to be imposing, menacing, with his sharp, angular features and withered appearance.

Watch the Making of Lord Bledwall, a Poseable Evil Wizard Art Doll | Timelapse Mixed-Media Art Doll Tutorial

As an adolescent, I’ve always been fond of the design of villains and I can see much of that fondness echoed in this character. When drawing the mouth of the poseable art doll’s design, I was thinking of the toothy maw of a crocodile. Some more obvious features to jump-out at you would be the look of “The Lord of the Rings” ring wraiths (even before the Peter Jackson’s films, many artist’s renderings of these creatures had much in common) and the look of Shredder from various iterations of the Teenage Mutant Ninja Turtles. In much the same way that these villains are encased and adorned in metal, so is the warlord figure of Lord Bledwall. The substance of the Bleedwall that he commands is an ever-expanding, invasive species that will either corrupt, harm, or kill whatever it comes into contact with.

Open edition prints of "Lord Bledwall” are available here.

Prints of “Lord Bledwall” are available here:

Open edition print: https://www.inprnt.com/gallery/thedreamsyndicate/lord-bledwall-wizard-fine-art-print/

The more the wall hungered
The more that the enemy bled
The more that the enemy bled
The more the wall hungered

Lord Bledwall rules a land that was at war with a neighboring kingdom and he loses his son to the conflict. In his anger and grief, he happens upon a large, strange seed that calls to him. He nurtures it with his hatred and desire for revenge and day by day, month by month, it grows into this bladed and barbed barrier along his lands that comes to be called The Bleedwall.

The wall hungers and attacks friend and foe alike, maiming or killing anyone that comes within it’s lethal, sinuous reach. The Bleedwall ever expands and Lord Bledwall ever becomes concerned with assuaging it’s bottomless hunger. This caused the majority of his kingdom’s subjects to flee and how Lord Bledwall got his name, to be forever associated with that accursed wall.

Thanks for joining me so far and here’s to the adventures we have in future! To be the first to know when I launch new polymer clay art videos, be sure to subscribe to my YouTube channel and hit the bell icon. Catch all of my videos here: https://www.youtube.com/thedreamsyndicatearts. You can also find many of the supplies I use in crafting here: https://www.thedreamsyndarts.com/supplies-gear/. And sign-up for my newsletter (in the sidebar) to get the latest studio goings-on! Thanks so much for joining me on this journey and until next time: Make. Believe!

Find me elsewhere online:

INSTAGRAM: instagram.com/dream_synd_arts/

FACEBOOK: facebook.com/TheDreamSynd/

TWITTER: twitter.com/Dream_Synd

PINTEREST: pinterest.com/TheDreamSyndicate/

WEBSITE: www.thedreamsyndarts.com/

𝐌𝐞𝐞𝐭 𝐚 𝐃𝐡𝐚𝐫𝐤𝐥𝐢𝐧𝐠 | 𝐂𝐫𝐚𝐟𝐭𝐢𝐧𝐠 𝐚 𝐃𝐚𝐫𝐤 𝐅𝐚𝐞𝐫𝐢𝐞 𝐂𝐫𝐞𝐚𝐭𝐮𝐫𝐞 𝐰𝐢𝐭𝐡 𝐏𝐨𝐥𝐲𝐦𝐞𝐫 𝐂𝐥𝐚𝐲 𝐅𝐚𝐧𝐭𝐚𝐬𝐲 𝐀𝐫𝐭 𝐃𝐨𝐥𝐥

Meet the latest addition to the world I’m building, a dharkling. These dark faerie creatures are more your spooky fae spirits of old, along the lines of being strictly on the malicious side. Their wicked blades stab at dreams and they’ve certainly been known to carry out the abduction or two. But we shouldn’t hold it against them too much, it’s in their nature.

Watch the Crafting a Dark Faerie Creature with Polymer Clay

I played around with the design for this fantasy art doll in my sketchbook and I imagine them as a sort of race of dark faerie creatures. They might vary a bit and height and proportions, but they all have a similar look about them and even wear the same drab clothes. The dark upper part of the head was inspired by one of my favorite fantasy artists growing-up, Brom, though I hope I added enough of a twist with giving it a sort of dripping look. I also enjoyed this idea of the hair being these wispy tendrils that constantly languidly drift behind them. I imagine them having this unchanging neutral expression on their faces and they may not even speak at all. One element that I’m thrilled about is his dagger. I often end-up with a sharps container that little by little gets full of X-acto blades that I’ll have to eventually have to dispose of… but I figured I could make them the blades of tiny daggers, so now I can upcycle them into mini weaponry!

Darklings are said to be comprised of malignant shadows and spiteful dust. They are the Sleeping Emperor’s knives of the eventide. Though others might speculate that their under the sway of the nefarious and secretive Dream Syndicate. With their hateful blades they come and cut away at your dreams if they live you living at all. They come stepping out of shadows and are gone in a whisper. Their faces the most unnerving of all as they gaze at you with a soulless, remorseless visage. Be wary traveler of the shadow that looks as though it is following you!

Shadows Wake

Shadows bide and shadows lied

Shadows lurk and shadows slink

Shadows stride and shadows hide

Shadows trick and shadows prick

Shadows take and shadows wake

-Efraen Children’s Rhyme

Prints of “Dharkling” are available here:

Open edition printhttps://www.inprnt.com/gallery/thedreamsyndicate/dharkling-dark-faerie/

Thanks for joining me so far and here’s to the adventures we have in future! To be the first to know when I launch new polymer clay art videos, be sure to subscribe to my YouTube channel and hit the bell icon. Catch all of my videos here: https://www.youtube.com/thedreamsyndicatearts. You can also find many of the supplies I use in crafting here: https://www.thedreamsyndarts.com/supplies-gear/. And sign-up for my newsletter (in the sidebar) to get the latest studio goings-on! Thanks so much for joining me on this journey and until next time: Make. Believe!

𝐌𝐚𝐤𝐢𝐧𝐠 𝐚 𝐇𝐚𝐥𝐥𝐨𝐰𝐞𝐞𝐧 𝐉𝐚𝐜𝐤 𝐎' 𝐋𝐚𝐧𝐭𝐞𝐫𝐧 𝐀𝐫𝐭 𝐃𝐨𝐥𝐥 𝐇𝐞𝐚𝐝 𝐒𝐜𝐮𝐥𝐩𝐭 🎃

In my latest project, I’m making a Jack O’ Lantern art doll. This character probably has the largest head out of any art doll I’ve previously built in proportion to his body, but I found using a large wad of tin-foil to do the trick all the same. In making this Jack O’ Lantern head sculpt, I spent plenty of time looking at reference online, looking various interpretations of Jack O’ Lantern characters and photographs of real Jack O’ Lanterns people carve for Halloween.

Making a Halloween Jack O Lantern Art Doll Head Sculpt 🎃

The design of a Jack O’ Lantern character’s pretty simple, it’s just a round or oval shape with a stem and a central seam at the top and bottom of the form, though since I created a human-like figure, the neck overs much of the bottom of the pumpkin. I love art and objects with surface texture, so I really enjoyed adding the variations of the pumpkin rind on the art doll head sculpt and later the way the sepia ink wash was able to pick-up these little indentations.

Here I’m roughing out the spherical shape of the Jack O’ Lantern’s head sculpt

Giving this lil Jack O’ Lantern doll a smile

Continuing with this series, I’ll show you how I built this little Halloween Jack O’ Lanterns body as well as how as I made a crow that appears in the background of the finished dimensional-illustration. To be the first to know when I launch new polymer clay art videos, be sure to subscribe to my YouTube channel and hit the bell icon. Catch all of my videos here:  https://www.youtube.com/thedreamsyndicatearts. You can also find many of the supplies I use in crafting here: https://www.thedreamsyndarts.com/supplies-gear/. And sign-up for my newsletter to get the latest studio goings-on! Thanks so much for joining me on this journey and until next time: Make. Believe!

Around his mouth got a lil bubbly and warped, but I actually think it added to this piece

Getting Ready to Show at My First Art Booth! | Art Star Craft Bazaar in Philadelphia, PA

This Saturday I'm taking a leap that I've put off for some time in years past- I'm getting ready to show at my first art booth at the Art Star Craft Bazaar here in sunny, hot, humid Philadelphia! Art Star has been running successful arts and crafts shows for several years in the area and I feel like I'm in pretty good hands. This is a pop-up show, which means it's only one day for a few hours. The first date for it is Saturday, 7/28/18 from 12-5pm.

There's a few reasons I've put off boothing at art fairs, but I think one major one was not feeling like I'd ever had a large enough body of solid artworks to show. I don't feel like you can do this sort of a show without 10-12 images you feel strongly about. There's also a fair amount of start-up costs to running a booth- there's the cost of inventory (and the packaging of said inventory) and the display and booth decor items aren't particularly cheap if you don't happen to have what you need on-hand and want to have a certain level of professionalism to your presentation.

WATCH MY THOUGHTS ON GETTING READY TO SHOW AT MY FIRST ART BOOTH | ART STAR CRAFT BAZAAR IN PHILADELPHIA

Speaking of professional presentation, there's a few people I'd like to thank for inspiring me with best practices, either from watching their content or sending them the occasional frantic Facebook message. I've been following the independent genre artist podcast One Fantastic Week's YouTube content for a couple of years and I think there's few better resources for entrepreneurial artists and they've a great community of like-minded people. I also owe Pete Mohrbacher a beer for recommending El-Co Color Labs- they've produced some really fantastic prints of my art. Crystal Sully, creator of "Untamed Beastiary", was also super helpful in helping me track down a couple of vendors for booth supplies. Rather than have you track Crystal down, I'll list the vendors I've used for booth display.

Craft Show Vendors

• Printing: http://www.elcocolor.net/

• Banner: https://www.nextdaydisplay.com/product/fabric-wrinkle-free/

• Print Bags, Cardboard Backing, & Shopping Bags: https://www.clearbags.com/

I'm doing four of these shows and I'll let you know how they ultimately went- fingers-crossed that it was worth it! To be the first to know when I launch new polymer clay art videos, be sure to subscribe to my YouTube channel and hit the bell icon (but because YouTube's wonky, you can also join the newsletter). Catch all of my videos here:  https://www.youtube.com/thedreamsyndicatearts. You can also find many of the supplies I use in crafting here: https://www.thedreamsyndarts.com/supplies-gear/. Thanks so much for joining me on this journey and until next time: Make. Believe!

Greetings & Welcome to the Dream Syndicate Art Dolls

How rude of me- I've yet to properly introduce my YouTube channel. In this video, I do just that by giving folks a taste of what they can expect from The Dream Syndicate Art Dolls with this channel trailer.

WATCH WELCOME TO THE DREAM SYNDICATE ART DOLLS

Throughout my videos, I share the process I use in crafting fantasy art dolls, showing you how I sculpt, paint, build, and paint them. I also show how some of the props are made for a photo shoot and a glimpse of what the photography sets look like for my dimensional art doll illustrations. When I'm not creating videos about making art dolls, I make videos about the arts, whether it's culture or thoughts about what it's like to be a professional artist today.

To be the first to know when I launch new polymer clay art videos, be sure to subscribe to my YouTube channel and hit the bell icon (but because YouTube's wonky, you can also join the newsletter). Catch all of my videos here:  https://www.youtube.com/thedreamsyndicatearts. You can also find many of the supplies I use in crafting here: https://www.thedreamsyndarts.com/supplies-gear/. Thanks so much for joining me on this journey and until next time: Make. Believe!

The Devil May Cry with this Devil Art Doll Repair 👹

This devil art doll's name is Diavolo Malvolo and he fits that old wedding tradition of something old, something new, something borrowed, and something new as the blue devil himself is an older work, the illustration's new, I borrowed some dry-rotted wood to make the "cliff" he's standing on, and well, the blue part's pretty obvious, isn't it? In this latest video, I take the devil art doll that's been sitting on my shelf and reveal his dark, disturbing secret... no, it's not that he's a devil- that much's obvious! The secret is this: he has crevice along his horn and ear- he's damaged goods. Over the course of the video I try to repair him, but do I succeed? Watch and find-out good viewer!

 

WATCH DEVIL ART DOLL REPAIR 👹

As you might have seen if you made it to the end of the video (I say in an accusatory voice), I made an dimensional illustration with this handsome devil art doll. If you'd like one to hang on your wall, you can order a print from my Etsy store.

You can bring this handsome devil home from my store.

Just in case you're still in suspense- I was able to repair Diavolo after all through the use of plumber's epoxy and epoxy resin as well as a fresh coat of paint. Huzzah! I hope you enjoyed your chance encounter with the devil! To be the first to know when I launch new polymer clay art videos, be sure to subscribe to my YouTube channel and hit the bell icon (but because YouTube's wonky, you can also join the newsletter). Catch all of my videos here:  https://www.youtube.com/thedreamsyndicatearts. You can also find many of the supplies I use in crafting here: https://www.thedreamsyndarts.com/supplies-gear/. Until next time, make. Believe!

BRAMBLING 🌲| Making a Fantasy Art Doll

And finally, a brambling is full born... or is it sprouted from a little acorn? The biology of the little fae creatures aside, this fantasy art doll is completed! All told, he probably took around 16 hours to craft (including accidentally sculpting two right hands for him! Unfortunately, not the first time something like that's happened, I assure you!). In prior videos I shared the process of sculpting and painting him in-depth and in this most recent one, I sew his clothes and show-off a bit of the staged set that went into making the finished dimensional illustration.

Watch Brambling | Making a Fantasy Art Doll

I enjoy characters with fanciful clothing and while the brambling's clothes are meant to have a utilitarian, rustic look to them, I was able to add some visual interest with the fae creature's asymmetrical, tattered cloak. The clothing was distressed by wrinkling, staining with acrylic paint, sanding, and then hand-sewing the fabric directly on to the art doll's body. I usually make a point of distressing an art doll's fabric as i like the viewer to imagine the secret life that the art doll has when they're not around. A life with a bit of mystery and magic's a better one! Lastly I set-up the scene by arranging fabric, vines, butterflies, and even used some small tree stumps! I photographed this mixture of found objects and then spent a little time post-producing the image in Photoshop.

Here's the finished dimensional-illustration:

You can find a print of this illustration here: https://www.etsy.com/listing/601530840/brambling-fey-fantasy-fine-art-85x11?ref=listings_manager_grid

I hope you enjoyed exploring this magical fey creature as much as I have! To be the first to know when I launch new polymer clay art videos, be sure to subscribe to my YouTube channel and hit the bell icon (but because YouTube's wonky, you can also join the newsletter). Catch all of my videos here:  https://www.youtube.com/thedreamsyndicatearts. You can also find many of the supplies I use in crafting here: https://www.thedreamsyndarts.com/supplies-gear/. Until next time, make believe!

Should I Be a Specialist Artist? A Response to "Your Value in Art" by Bobby Chiu

I came across a video by Bobby Chiu entitled "Your Value in Art" and my curiosity was piqued. Being the even-keel, zen-like soul that Bobby Chiu is, he didn't place a value judgement on whether one should be a generalist or a specialist artist, but (perhaps because I'm less even-keeled) I definitively believe that a long-term career favors the specialist artist.

Watch Your Value in Art by Bobby Chiu

Watch Should I Be a Specialist Artist Response Video

First, it would be helpful to establish a definition of both generalist and specialist artists. A generalist artist dabbles in any number of genres, styles, or niches of art making. A "jobbing artist" that goes from project-to-project, competing with several other well-qualified creatives to do so, perhaps a toy design one week, storyboards the next, and then a couple of weeks illustrating a book cover. A specialist artist narrows-in on one artistic field, medium, or overall aesthetic and produces work in that vein. The specialist artist is often brought into a project because they were one of a short-list of candidates who could properly envision the project, whether that's designing characters for film or television or creating work for print media.

While artists can make a living as a generalist, a generalist artist is a commodity, like a bottle of orange juice you'd buy at the local supermarket, easily replaced (and in the times we live in, easily outsourced if communication barriers are minimized). When their skill set is in alignment with what's desirable in the creative market place, a specialist artist is actively sought-out for the specific thing they do and therefore has a much easier time standing-out among a field of generalist artists.

If two artists were competing for the same job to design environmental concepts for a video game studio, who's most likely to get the job? The artist with the portfolio of character, vehicles, weapons, and environment concepts or the artist with the same number of pieces in their portfolio, but every single piece of the portfolio shows that they want to do the job their trying to get hired for, each piece shows a game environment concept? I don't know about you, but I'd say the smart money's on the second candidate, the specialist.

There's also the level of niche-ism that surrounds us today- an artist that may not have gained support through the conventional route of publishers can now go directly to the public if they're willing to become savvy marketers of their work. Services like Kickstarter, Patreon, YouTube, Instagram, and the like give artists a multitude of platforms to try and connect with an audience. Add to this that in most countries, there's fan conventions for any kind of niche you could imagine- everything from fantasy/sci-fi, to comic books, to My Little Pony, to... furries.

But isn't there a danger of being too specialized? Frankly, there's risk in any field one could choose to invest decades in that the market could shift and the only thing one can do is shift with it or perish. Commercial airbrush artists were in demand from the 60's through the 80's, but once the art market shifted, many of them either had to pivot their artistic skills to another medium or no longer work in the creative field.

To be the first to know when I launch new polymer clay art videos, be sure to subscribe to my YouTube channel and hit the bell icon (but because YouTube's wonky, you can also join the newsletter). Catch all of my videos here:  https://www.youtube.com/thedreamsyndicatearts. You can also find many of the supplies I use in crafting here: https://www.thedreamsyndarts.com/supplies-gear/. Until next time, make believe!

Make Better Art By Caring Less? 🎨

Is it possible to make better art by caring less? In my latest video, that's exactly the thesis I posit. As with any craft- playing music, dance, or the visual arts, once you get a firm handle on your rudimentary skills, you can accomplish greater works by not putting too much pressure or importance on any one individual work. If you're thinking beyond being in the moment of what you're doing in the present, you're hindering your ability to reach a flow state.

Watch Make Better Art By Caring Less

Flow State: In positive psychology, flow, also known colloquially as being in the zone, is the mental state of operation in which a person performing an activity is fully immersed in a feeling of energized focus, full involvement, and enjoyment in the process of the activity. In essence, flow is characterized by complete absorption in what one does, and a resulting loss in one's sense of space and time.

When I was younger, in art school and earlier, I'd often be paralyzed by the potential of things "going wrong" in a piece, which was an impediment to artistic growth. Had I adopted this Stoic-like philosophy of "is this the condition I so feared?" much earlier in my art-life, I'd likely be happier for it. Not to spend too much time on roads less traveled because on some level I wasn't ready to receive this life lesson, but within the last few years, I've become ready and that's ok too, to borrow another bit of immortal wisdom, "When the student is ready, the teacher will appear.", and to a large extent that teacher was time and experience.

Let's put the number of works of art you're likely to make over the course of your life-time into perspective- let's say a given artist will average 1.5 pieces of art in a month, that's 18 completed artworks per year. Now let's say you'll have at least 40 productive years of making art- with that number of works and that time-frame, that's 720 finished artworks... and these are all using fairly modest estimates- there are plenty of artists that can and do complete 2-4 works of art in a month. Bearing that in mind, is the piece your working on right now all that significant in the grand scheme of things? If you let go and create without fear, it could be. It could be one of a handful of pieces of art that you're known for, but this becomes far less likely when you create in a state of fear and anxiety about the artwork's outcome. Hold-out for judgement on the outcome until your piece of art's completed.

Making art should be about making the best possible thing you're capable of creating in the stage you're at in your artistic journey at that moment. If you need to make bold changes, a drastic change in drawing, tone, or contrast, make it and go forward boldly, leave open that space for growth. And even if you fall flat on your face in the attempt, chances are, you've learned something that you can carry onto future artistic endeavors.

Painting the Brambling | Painting a Fantasy Creature Head

Now that the brambling's head is sculpted to my liking, it's time to lay down some paint! When painting a fantasy creature head, it's actually kind of important to ground yourself in realism because bramblings are elusive in the wild! I had to do the next best thing and bring a couple of tree branches into the studio. Who'd have thought realism's the best strategy when painting a fantasy creature head? By looking at this tree branch I could observe that it was largely a warm grey tone with moments of green and brown on it rather than that iconic brown Crayola crayon that we might all instantly imagine.

 

Watch the Brambling Head Be Painted with Acrylics Here

I used a range of earth-tones in painting the fey creature's head- siennas, umbers, ochers, and greens with touches of grey tones to dull-down the pigments. I also painted the head generally lighter than I would have naturally due to the fact that I was about to embark on trying my hand with an ink wash technique...

EXPERIMENTING WITH INK!

ACRYLIC INK

In painting this head, I tried a technique that was new to me: using an acrylic ink wash with dark toned ink. I had carved a lot of bark texture all over the brambling and I wanted a way to darken the recessed areas that didn't involve my painstakingly painting in dark tones and then carefully trying not to undo this work as I painted-in lighter tones. Before I used the technique on the actual fantasy art doll head, I tested on scrap sculpted piece I had (who'd have thought I was doing myself a favor when I accidentally sculpted two right hands for this art doll?!). Admittedly, I still feel like I can do a better job at highlighting sculpted details with this technique, but overall, I'm happy with the outcome.

If you would like a print of the Brambling final image, you can purchase it HERE.

I hope you enjoyed exploring this magical fey creature as much as I have! To be the first to know when I launch new polymer clay art videos, be sure to subscribe to my YouTube channel and hit the bell icon (but because YouTube's wonky, you can also join the newsletter). Catch all of my videos here:  https://www.youtube.com/thedreamsyndicatearts. You can also find many of the supplies I use in crafting here: https://www.thedreamsyndarts.com/supplies-gear/. Until next time, make believe!

Making a Brambling 🌲 | How to Sculpt a Fantasy Creature Head

Bramblings are fey creatures that wander the forest floor looking for mischief to get up to or something good to eat. They can helpful to a lost wanderer or a nightmare to those that break some esoteric woodling taboo. The brambling has been living in my sketchbook for some time and I'm glad to see it finally come to life. I see them as a species rather than any one individual creature and being somewhat wild and unpredictable.

Watch a brambling get crafted here:

This fantasy polymer clay sculpture was crafted with Sculpey Medium Blend, which is a mixture of Sculpey's regular and firm variety, and was my first test with that particular clay (Super Sculpey beige being my "go-to: polyclay). While I found it pleasant to work with, I thought it had a pretty similar consistency to my regular clay. At some point I'd like to experiment with Sculpey Firm and see how that handles. I really could have stood to use a firmer clay since the oh so thin branches are a very delicate aspect of this art doll sculpture. I could see trying Firm or trying my hand at Monster Clay, which doesn't require baking in the oven since it's a two-part epoxy.

I spent a lot of time during the sculpting process creating the bark-like texture of the creature, smoothing-out and trying to create the delicate lines of the branches. I also sculpted tiny clay-like hands. I typically craft art dolls with poseable paper mache hands, but in this case I didn't think I'd be able to get the jagged texture of the bark with such delicate material.

If you would like a print of the Brambling final image, you can purchase it HERE.

A brambling in it's natural environment.

I hope you enjoyed exploring this magical fey creature as much as I have! To be the first to know when I launch new polymer clay art videos, be sure to subscribe to my YouTube channel and hit the bell icon (but because YouTube's wonky, you can also join the newsletter). Catch all of my videos here:  https://www.youtube.com/thedreamsyndicatearts. You can also find many of the supplies I use in crafting here: https://www.thedreamsyndarts.com/supplies-gear/. Until next time, make believe!

Tiny Dragons Art Book 🐉 | Book Look

I'm excited to announce that the Kickstarter for the "Tiny Dragons" art book is going on now through April 12, 2018! It features a wide range of styles and mediums to make everyone's favorite winged magical creature and the work's by over 200 artists from around the world. The project is headed by long-time dragon art aficionado, Jon Schindehette of the ArtOrder and former art director for Dungeons & Dragons.

The Tiny Dragons Art Book is a collection of work by dragon fantasy artists from around the globe!

The styles of art range from traditional drawing and painting, cartooning, origami, and there's even some sculptural pieces. The art book Kickstarter's actually comprised of three books:  "Tiny Dragons", "Not So Tiny Dragons", and "Tiny Dragons by Tiny People". The "Tiny Dragons" book features dragons of a more playful, cute variety. "Not So Tiny Dragons" contains art that often expresses the more terrifying or dangerous aspects of these marvelous beasts. Lastly, "Tiny Dragons by Tiny People" are dragons created by the hands of young artists under the age of 13 that capture the imagination of the young at heart. Both "Tiny" and "Not So Tiny Dragons" are hardbound books of over 120 pages each, "Tiny Dragons by Tiny People" is a soft cover book and all three can be had for the great price of just $30 USD in a lovely, firm slip case.

This is a digital mock-up of what the books and slip case will look like.

If this project looks like something you or a loved one would enjoy, you can get your book or book set on Kickstarter here:  http://bit.ly/TinyDragonsYT through April 12, 2018. I'd also greatly appreciate it if you would consider helping spread the word about the project with other dragon enthusiasts!

An interior view of a "Tiny Dragons" book.